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Tuesday 17 April 2012

Of Children and Adaptations


The other day, I received my son's report card, with his teacher's comments in black ink stating “follow-through with more efforts in school-work to fulfill utmost potential.” We never go through school stuff together – we had to call a truce to our incessant arguing, a few years back. As I looked at his grades, I asked myself how much of his accomplishments are mine and how much of his? A parent, proud of a child but not of oneself, quite reasonably would ask such a question; while, a parent who takes credit for a child's achievements would not. Obviously, I am no stage mother and, indeed, maybe even a strange one.

In this modern era of technology and “new age” thinking, I find it more difficult to digest that the old has no more place where fast and functional seem to be the norm. Culture is a funny thing. More often, it tells us how to behave, against which we rebel without realizing that the choice is not for the choosing. Evolution, however, tells us that the way is not usually paved with great intentions. Thus, we choose to believe that culture “evolves”. But each time I hear a parent talk about a child's unreasonable objections, I flash back to my younger years. Did I ever listen to what my mother was saying when she said so and so? Did I ever hear my father complain about this and that? Was there actually a time when I listened to my parents?

My Choice
 The rest of the house is quiet this evening, just like at bed-time when I was 12. Somehow, I couldn't help but smile at the little voice in my head, “He is so much like you at that age. Reading fairy tales from Childcraft Volume 2 in bed, while your mother punched on the keys of her typewriter.”

Wednesday 11 April 2012

MIDNIGHT IN PARIS: A matter of 'interesting' dialogues

About a month ago, my partner required me to see the latest Woody Allen offering, Midnight in Paris.  He said, “It is theeeeeeee best movie of its genre in the last 10 years!” A few days later, when he asked whether I'd seen the film – !to which the answer was negative, of course - he exclaimed, “It is an absolute deeeelight, Darling! I'm telling you! It's a MUST-seeeeeee!” Enthusiasm still freshly brewed, I thought. It must be pretty special.

Now my brush-off did not mean that I was not at all intrigued. Words are, to this couple, as holding-hands is to most, and the last three years has been about learning to take his comments in stride. During countless occasions through-out our relationship, I have been, perpetually, a victim of rich sarcasms and saucy superlatives. So, call it a tact to build up the suspense towards the thrilling and lengthy discourse after the fact, or the inevitable moral debate – for whilst both conscious of our similarity in tastes and views on most relevant subject matters, my partner is a prodigal follower of his own faith.

Midnight in Paris turned out to be not a matter of discussion or quotes, however, but a matter of dialogues. As true as our inclinations lean towards the artistic, I gather my limited technical knowledge of the arts will not give justice to the surprising juxtapositions in the plot, that writing a review would simply be pretentious and unconvincing. Furthermore, I have no wish to be branded as one who blasphemes against Ernest, Hemingway, Gertrude Stein, Salvador Dali, and all of the 1920's iconic players. And to say that it is an intelligently thought-of screenplay would further defeat the writers graceful and insightful tone.